Thursday 14 April 2011

bonjour

2 comments:

xtina said...

http://www.youtube.com/watch?v=MoXrMOsnRVo

xtina said...

Poets adopted the terminology of feudalism, declaring themselves the vassal of the lady and addressing her as midons (my lord), a sort of code name so that the poet did not have to reveal the lady's name, but which was flattering by addressing her as his lord. The troubadour's model of the ideal lady was the wife of his employer or lord, a lady of higher status, usually the rich and powerful female head of the castle. When her husband was away on Crusade or other business she dominated the household and cultural affairs; sometimes this was the case even when the husband was at home. The lady was rich and powerful and the poet gave voice to the aspirations of the courtier class, for only those who were noble could engage in courtly love. This new kind of love saw nobility not based on wealth and family history, but on character and actions; thus appealing to poorer knights who saw an avenue for advancement.