Ever white dressed and black masked (hence conciliating the opposites of life and death), he stands out thanks to his peculiar voice, the sharp and vibrant qualities of which contribute intense tempo of the show. According to Pierre Louis Duchartre, his traditional temperament is to be mean, vicious, and crafty: his main mode of defense is to pretend to be too stupid to know what's going on, and his secondary mode is to physically beat people. Many regional variants of Pulcinella were developed as the character diffused across Europe. In Germany, Pulcinella came to be known as Kasper. In the Netherlands he is known as Jan Klaassen. In Denmark he is Mester Jakel. Russian composer Igor Stravinsky composed two different ballets entitled Pulcinella and Petrushka), inspired to him. In Romania, he is Vasilache; in Hungary he is Vitéz László, and in France Polichinelle, while in England he inspired the character of Mister Punch of Punch and Judy.
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http://www.youtube.com/watch?v=8pYDwNBp4xE
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Ever white dressed and black masked (hence conciliating the opposites of life and death), he stands out thanks to his peculiar voice, the sharp and vibrant qualities of which contribute intense tempo of the show. According to Pierre Louis Duchartre, his traditional temperament is to be mean, vicious, and crafty: his main mode of defense is to pretend to be too stupid to know what's going on, and his secondary mode is to physically beat people.
Many regional variants of Pulcinella were developed as the character diffused across Europe. In Germany, Pulcinella came to be known as Kasper. In the Netherlands he is known as Jan Klaassen. In Denmark he is Mester Jakel. Russian composer Igor Stravinsky composed two different ballets entitled Pulcinella and Petrushka), inspired to him. In Romania, he is Vasilache; in Hungary he is Vitéz László, and in France Polichinelle, while in England he inspired the character of Mister Punch of Punch and Judy.
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