http://en.wikipedia.org/wiki/Mamma_Roma Mamma Roma was dedicated to the director of Roma, città aperta (1945), Roberto Rossellini. Anna Magnani plays a pregnant woman who gets killed in the middle of the Rossellini's film. Rossellini represents "good Italians" through the deaths of a priest, Don Pietro, who helps a communist group and a mother who tries to help her communist husband. People who killed these "good Italians" are Nazis. On the other hand, Pasolini comments on how the country changed from 1945 to 1962 in Mamma Roma. First of all, characters in the film are whores, pimps, and thieves. None of them are people who work for people. Secondly, in the beginning of the film, Mamma Roma brings three piglets to the wedding of her old pimp, Carmine. Carmine calls them "Brothers of Italy". Then, Mamma Roma calls one of them a slut. Contrasting with Rossellini's patriotic film, Pasolini brings irony into his film. Ettore dies in an Italian prison even though he doesn't die from extreme physical torture. Pasolini shows that the corruption of society is not because of outside forces like Rome under Nazi occupation. The problems are actually created within the society or the people in it.
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http://en.wikipedia.org/wiki/Mamma_Roma
Mamma Roma was dedicated to the director of Roma, città aperta (1945), Roberto Rossellini. Anna Magnani plays a pregnant woman who gets killed in the middle of the Rossellini's film. Rossellini represents "good Italians" through the deaths of a priest, Don Pietro, who helps a communist group and a mother who tries to help her communist husband. People who killed these "good Italians" are Nazis. On the other hand, Pasolini comments on how the country changed from 1945 to 1962 in Mamma Roma. First of all, characters in the film are whores, pimps, and thieves. None of them are people who work for people. Secondly, in the beginning of the film, Mamma Roma brings three piglets to the wedding of her old pimp, Carmine. Carmine calls them "Brothers of Italy". Then, Mamma Roma calls one of them a slut. Contrasting with Rossellini's patriotic film, Pasolini brings irony into his film. Ettore dies in an Italian prison even though he doesn't die from extreme physical torture. Pasolini shows that the corruption of society is not because of outside forces like Rome under Nazi occupation. The problems are actually created within the society or the people in it.
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